Italian

Set the Stage! is a collection of essays on teaching Italian language, literature, and culture through theater.  From theoretical background to course models, this book provides all the resources that teachers and students need to incorporate the rich and abundant Italian theater tradition into the curriculum.  Features of the book include the "Director's Handbook," a comprehensive guide with detailed instructions for every step of the process, from choosing a text to the final performance, an exclusive interview with Nobel laureate Dario Fo, a foreword by prize-winning author Dacia Maraini.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Build your confidence in communicating through mastery of Italian grammar Effective communication in another language comes from practice, practice, practice. And this comprehensive guide and workbook covers all of the aspects of Italian grammar that you need to master, followed by numerous exercises that allow you to put your language skills into use. Focused on the practical aspects of Italian as it's really spoken, each chapter of Practice Makes Perfect: Complete Italian Grammar features clear explanations and numerous realistic examples. Dozens of varied exercises will build your understanding of the Italian language, while new vocabulary is introduced within the exercises and in convenient panels. This premium fourth edition is accompanied by audio recordings and flashcards, available online and via app, that will provide a new dimension and flexibility to your study. Practice Makes Perfect: Complete Italian Grammar provides * Clear, down-to-earth, easy-to-follow explanations that make even the most complex principles easy to understand. * More than 250 exercises, with a detailed answer key for easy progress checks * Example sentences that illustrate and clarify each grammatical point * Practical and high-frequency vocabulary used throughout * Grammar in Culture features that link a grammatical topic to contemporary Italian culture or usage * NEW to this edition: a final chapter of review exercises to test your understanding

Speak a new language with confidence with this accessible guide to correct pronunciation! Fear of mispronunciation prevents many people from daring to speak a new language. Don't let that fear hold you back! The Say It Right series makes mastering correct pronunciation easy. This accessible series uses easy-to-read vowel symbols that, when combined with consonants, make pronunciation simple--even if you have no previous experience with the language.  Say It Right in Italian, Third Edition features clear pronunciations for 500 key words and phrases in Italian. Thematic sections cover all essential travel situations, while a handy dictionary and verb index allow for quick reference. This updated edition also includes a new chapter filled with words and expressions related to social media and the latest digital trends, ideal for making connections with new Italian-speaking friends.  Say It Right in Italian, Third Edition features:   * More than 500 essential Italian words and phrases  * A field-tested, easy-to-use pronunciation system * Words and expressions to spark up conversations, make friends, stay in touch through social media, and more The EPLS (Easily Pronounced Language Systems) approach is based on an intuitive, sound-based pronunciation system and has been extensively field-tested with native-speaking teachers and certified language consultants. Go to iSayItRight.com to learn more.

Make learning Italian fun and easy with this bilingual visual dictionary. Whether you are learning the language for pleasure or for work this comprehensive dictionary is the ideal partner for you. Italian-English Bilingual Visual Dictionary comes with more than 10,000 illustrated terms that are arranged by themes and situations, making learning easy. Whether you are out grocery shopping or find yourself in the middle of an official meeting, this handy guide will always be at your side. The book is accompanied by a free audio app that can be downloaded from the App Store and Google Play so you can learn the correct pronunciation of everyday words and phrases. Updated to reflect recent changes in technology and clothing, the Italian-English Bilingual Visual Dictionary is the perfect companion for your next trip.

Conspiracy has been a political phenomenon throughout history, relevant to any form of power from antiquity to the post-modern era. This means of resistance against power was prevalent during the Renaissance, and the Italian fifteenth century, in particular, can be regarded as an 'age of plots'. This book offers the first full-length investigation of Italian Renaissance literature on the topic of conspiracy. This literature covered a range of different genres and it enjoyed widespread diffusion during the second half of the fifteenth century, when the development of this literary production was connected with the affirmation of centralized political thought and princely ideology in Italian states. The centrality of conspiracies also emerges in the sixteenth century in Machiavelli's work, where the topic is closely interlaced with problems of building political consensus and management of power. This volume presents case studies of the most significant humanist texts (representative of different states, literary genres, and of prominent authors--Alberti, Poliziano, Pontano--and minor, yet important, literati), and it also investigates Machiavelli's political and historical works. Through interdisciplinary analysis, this study traces the evolution of literature on plots in early Renaissance Italy.

This book presents a semiotic study of the re-elaboration of Christian narratives and values in a corpus of Italian novels published after the Second Vatican Council (1960s). It tackles the complex set of ideas expressed by Italian writers about the biblical narration of human origins and traditional religious language and ritual, the perceived clash between the immanent and transcendent nature and role of the Church, and the problematic notion of sanctity emerging from contemporary narrative.

Those Who from Afar Look Like Flies is an anthology of poems and essays that aims to provide an organic profile of the evolution of Italian poetry after World War II.

Nineteenth-Century Italian Women Writers and the Woman Question focuses on the literary, journalistic and epistolary production of Italian woman writer Neera, pseudonym for Anna Radius Zuccari, one of the most prolific and successful women writers of late nineteenth-century Italy.　This study proposes to bring Neera out of the shadows of literary marginality to which she has long been confined by analyzing her contribution to literary and cultural debates as testimony to the pivotal role she played in the creation of a female literary voice within the Italian fin-de-siècle context. Drawing from the Anglo-American feminist critical tradition; modern Italian feminist theory on the maternal order and sexual difference; and a close reading of Neera's literary, theoretical and epistolary writings this volume examines Neera's work from a three-pronged perspective: as promoter of a maternal order in contrast to the existent paternal order, as one of few women writers to participate actively in Italy's verismo movement and as epistolary correspondent of leading representatives within fin-de-siècle Italian literary and journalistic circles.　Nineteenth-Century Italian Women Writers and the Woman Question represents the first monographic volume in English dedicated exclusively to this important Italian woman writer, repositioning her within the Italian literary landscape and canon.

Poetry in Dialogue in the Duecento and Dante provides a new perspective on the highly networked literary landscape of thirteenth- and fourteenth-century Italy. It demonstrates the fundamental role of dialogue between and within texts in the works of four poets who represent some of the major developments in early Italian literature: Guittone d'Arezzo, Guido Guinizzelli, Guido Cavalcanti, and Dante. Rather than reading the cultural landscape through the lens of Dante's works, significant though they may be, the first part of this study reconstructs the rich network of literary, especially poetic dialogue that was at the heart of medieval writing in Italy. The second part uses this reconstruction to demonstrate Dante's engagement with, and indebtedness to, the dynamics of exchange that characterised the practice of medieval Italian poets. The overall argument--for the centrality of dialogic processes to the emerging Italian literary tradition--is underpinned by a conceptualisation of dialogue in relation to medieval and modern literary theory and philosophy of language. By triangulating between Brunetto Latini's Rettorica, Mikhail Bakhtin's 'dialogism', and as sense of 'performative' speech adapted from J. L. Austin, Poetry in Dialogue shows the openness of its corpus to new dialogues and interpretations, highlighting the instabilities of even the most apparently fixed, monumental texts.

Explores the links between language, cultural identity, and creativity through the works of Emanuel Carnevali, one of the first Italian American authors to attain literary recognition.

The humanist perception of fourteenth-century Rome as a slumbering ruin awaiting the Renaissance and the return of papal power has cast a long shadow on the historiography of the city. Challenging this view, James A. Palmer argues that Roman political culture underwent dramatic changes in the late Middle Ages, with profound and lasting implications for city's subsequent development. The Virtues of Economy examines the transformation of Rome's governing elites as a result of changes in the city's economic, political, and spiritual landscape. Palmer explores this shift through the history of Roman political society, its identity as an urban commune, and its once-and-future role as the spiritual capital of Latin Christendom. Tracing the contours of everyday Roman politics, The Virtues of Economy reframes the reestablishment of papal sovereignty in Rome as the product of synergy between papal ambitions and local political culture. More broadly, Palmer emphasizes Rome's distinct role in evolution of medieval Italy's city-communes.

How did religion colour daily life in the Italian Renaissance home? Whether reading sacred texts or conducting superstitious rituals that were frowned on by the Church, private devotion evolved in deeply personal ways. Devotional practices accompanied family rites of passage such as childbirth, marriage, and death, while a wide array of material objects, including books, works of art, jewellery, and relics, helped to create the atmosphere for pious reflection andprayer. Peering into the privacy of the family, the authors expose patterns of piety that helped individuals to confront both the dangers and delights of everyday life.

How grace shaped the Renaissance in Italy "Grace" emerges as a keyword in the culture and society of sixteenth-century Italy. The Grace of the Italian Renaissance explores how it conveys and connects the most pressing ethical, social and aesthetic concerns of an age concerned with the reactivation of ancient ideas in a changing world. The book reassesses artists such as Francesco del Cossa, Raphael and Michelangelo and explores anew writers like Castiglione, Ariosto, Tullia d'Aragona and Vittoria Colonna. It shows how these artists and writers put grace at the heart of their work. Grace, Ita Mac Carthy argues, came to be as contested as it was prized across a range of Renaissance Italian contexts. It characterised emerging styles in literature and the visual arts, shaped ideas about how best to behave at court and sparked controversy about social harmony and human salvation. For all these reasons, grace abounded in the Italian Renaissance, yet it remained hard to define. Mac Carthy explores what grace meant to theologians, artists, writers and philosophers, showing how it influenced their thinking about themselves, each other and the world. Ambitiously conceived and elegantly written, this book portrays grace not as a stable formula of expression but as a web of interventions in culture and society.

For centuriesthe society and politics of Old Regime Europe relied on the strong connectionbetween past, present, and future and on a belief in the unstoppable continuityof time. What happened during the eighteenth century when the Age of Revolutionsclaimed to cancel the previous social order and announced the dawn of a newera? This book explores how antiquarianism provided new political bodies withallegedly time-hallowed traditions and so served as a source of legitimacy forreshaping European politics. The love for antiquities forged a common languageof political communication within a burgeoning public sphere. To understandwhy this happened, Marco Cavarzere focuses on the cultural debates taking placein the Italian states from 1748 until 1796. During this period, governmentstried to establish regional "national cultures" through erudite scholarship,with the intent of creating new administrative and political centralizationwithin individual Italian states. Meanwhile, other sectors of local societiesused the tools of antiquarianism in order to offer a counter-narrative on thesepolitical reforms. Ultimately, thisbook proposes a localized way of reading antiquarian texts. Far from presentingtimeless knowledge, erudition in fact gave voice to specific tensions whichwere linked to restricted political arenas and regional public opinion.

The essays within Beyond Catholicism trace the interconnections of belief, heresy, and mysticism in Italian culture from the Middle Ages to today. In particular, they explore how religious discourse has unfolded within Italian culture in the context of shifting paradigms of rationality, authority, time, good and evil, and human collectivities.

A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435-1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC

The first collection and translation into English of the earliest biographical accounts of Galileo's life This unique critical edition presents key early biographical accounts of the life and work of Galileo Galilei (1564-1642), written by his close contemporaries. Collected and translated into English for the first time and supplemented by an introduction and incisive annotations by Stefano Gattei, these documents paint an incomparable firsthand picture of Galileo and offer rare insights into the construction of his public image and the complex intertwining of science, religion, and politics in seventeenth-century Italy. Here in its entirety is Vincenzo Viviani's Historical Account, an extensive and influential biography of Galileo written in 1654 by his last and most devoted pupil. Viviani's text is accompanied by his "Letter to Prince Leopoldo de' Medici on the Application of Pendulum to Clocks" (1659), his 1674 description of Galileo's later works, and the long inscriptions on the façade of Viviani's Florentine palace (1702). The collection also includes the "Adulatio perniciosa," a Latin poem written in 1620 by Cardinal Maffeo Barberini--who, as Pope Urban VIII, would become Galileo's prosecutor--as well as descriptive accounts that emerged from the Roman court and contemporary European biographers. Featuring the original texts in Italian, Latin, and French with their English translations on facing pages, this invaluable book shows how Galileo's pupils, friends, and critics shaped the Galileo myth for centuries to come, and brings together in one volume the primary sources needed to understand the legendary scientist in his time.

Michelangelo: A Reference Guide to His Life and Works cover the life and works of Michelangelo Buonarroti. Michelangelo is considered to be one of the greatest masters in history and he produced some of the most notable icons of civilization, including the Sistine Ceiling frescoes, the Moses, and the Piet at St. Peter's. -Includes a detailed chronology of Michelangelo's life, family, and work. -The A to Z section includes the major events, places, and people in Michelangelo's life and the complete works of his sculptures, paintings, architectural designs, drawings, and poetry. -The bibliography includes a list of publications concerning his life and work. -The index thoroughly cross-references the chronological and encyclopedic entries.

To commemorate the 500th anniversary of Leonardo da Vinci's death, world-renowned da Vinci expert Martin Kemp explores 100 of the master's milestones in art, science, engineering, architecture, anatomy, and more.   Leonardo da Vinci was born in the small Tuscan town of Vinci in April 1452. Over the centuries, he has become one of the most famous people in the history of visual culture. Spring 2019 marks the 500th anniversary of his death in May 1519, with exhibitions and events planned across Europe and the United States. This lavishly illustrated volume by Martin Kemp--one of the world's leading authorities on da Vinci--offers a fresh way of looking at the master's work. Kemp focuses on 100 key, broadly chronological milestones that cover an extraordinary range of topic across Leonardo's many fields of discipline: painting, where he brought new levels of formal and emotional grandeur to his works, including The Last Supper and Portrait of Lisa del Giocondo (the "Mona Lisa"); anatomical studies, which are extraordinary for their sense of form and function (Studies of the Optics of the Human Eye and Ventricles of the Brain); engineering marvels, noted for their range and extraordinary visual quality (Gearing for a Clockwork Mechanism and Wheels without Axles and Designs for a Flying Machine); and his progressive engagement with a range of sciences--anatomy, optics, dynamics, statics, geology, and mathematics.