This page is dedicated to showcasing temporary art exhibitions curated and hosted by Dominican University Archives and Special Collections. These exhibitions highlight the diverse creative expressions found within our collections, featuring works by students, faculty, alumni and community collaborators. Each exhibit reflects our ongoing commitment to preserving and celebrating the rich and artistic cultural heritage connected to Dominican University. Through rotating displays, we aim to engage visitors with though provoking themes, historical narratives, and contemporary perspectives. Stay updated with DU's archives by routinely checking this page! If it's currently blank, check back later for information on upcoming exhibits and future displays.
The Center for Igbo Studies at Dominican University proudly presents "Ihe Ncheta," an exhibition showcasing the vibrant and diverse artistic expressions of contemporary Igbo artists, in partnership with Dominican University Black Word Studies, Dominican University, Department of Library Sciences, Igbo Studies Association, Igbo American Heritage Foundation, University of Nigeria, Nsukka, Imo State University, Owerri, and Nnamdi Azikiwe University Awka. This exhibit is currently being showcased in Rebecca Crown Library's Lower Level, Lewis Hall and Stairwells (1st-4th floor) from May - September 1st, 2025. Works were done in collaboration with the Center for Igbo Studies, which is an establishment aimed to facilitate the greater understanding of Igbo history, civilzation, religion, culture, and language. Further information can be found on their page on Dominican University and on their own site, ISA.
Presented below a few pieces currently displayed in Rebecca Crown Library's Lower Level, Lewis hall, and the 1st - 4th floor stairwell. To view more works, please visit our site! If you have any questions, please contact our Archivist, Steven Szegedi, sszegedi@dom.edu or call us at (708) 524-5929.
Nku onye kpara na nwata by Felicia N. Ogbobe Nwogem
Felicia N. Ogbobe Nwogem is a textile designer, holding a BA from Nnamdi Azikiwe University, Awka, and a PGD in Education from the National Teachers; Institute, Kaduna. Sh has participated in various exhibitions and is currently a Visual Art Teacher at the University High School of Nnamdi Azikiwe University, Awka.
Agbogho mmuo by Moses Onugadi Njoku
Agbọghọ mmụọ is an igbo masquerade popular among the Igbos of the Anambra area. The work makes reference to this mask by depicting the dancer carrying the costume and making haste to go and get dressed for the festival. The abstract figures below the dancer depicts the crowd gathered to be entertained. Some traditional motifs reflected in the work represents ideas such as beauty, marriage, the village common, and currencies.
Onunu ya ("Her Presence") by Chidera Confidence Uzoma
"Onụnọ ya" translated to "Her Presence," is a testament to the enduring impact of Igbo women on our cultural heritage. The artwork reminds us that the presence of women makes a difference in every aspect of Igbo life, from the boardroom to the marketplace. As the inscription on the painting so eloquently puts it, 'She makes a difference all the time you include her'. By celebrating the humility, poise, confidence, and abilities of Igbo women, 'Onụnụ ya' honors the critical role they play in preserving and passing down our cultural traditions. This painting serves as a powerful reminder of the importance of inclusivity and representation in our collective efforts to remember, restore, and memorialize Igbo material culture and heritage.
Ubochi Ahia ("Market Days") Nkwo, Orie, Afo, Eke by Chika Chinyeogwa Chudi-Duru
In the mixed media Ubochi ahia, the scene unfolds a busy environment depicted with uli traditional motif symbols, reflecting the nature of trade and commerce in Igbo land. The four known market days in Igbo land are showcased in the artwork as a big arena with many access roads leading to them. This is a pointer to communal living. Many people come from far and wide to buy and sell in markets far away from their homes on other people’s market days. Every village has its market days. The four Igbo market days—Eke, Orie, Afor, and Nkwo—are more than mere days of the week in the Igbo calendar; they are a reflection of the Igbo cosmological and spiritual worldview. Each day, associated with a specific element and energy, governs various aspects of life, from personal endeavors to community activities. Understanding these days and their significance provides deeper insight into the rich cultural heritage of the Igbo people and their harmonious relationship with the natural and spiritual worlds. Market days are crucial markers for trade and commerce in Igbo culture, with each day influencing the type of goods traded and the nature of transactions that occur in each community.
Eze Obodo by Amadi Okechukwu
"Eze Obodo", created using scrap metal sculpture. The piece reflects on the concept of kingship in Igbo culture, focusing on the supreme ruler, "Chukwu Okike" (the Creator). Although the Igbo people traditionally do not have kings, they believe in Chukwu Okike as the supreme ruler of humanity and acknowledge subordinate deities like Amadioha and others. The artwork aims to reflect the greatness of Chukwu Okike as the master key and ultimate authority.
The right wing by Job Ukwa
Job Nworie Ukwa (PhD) is an innovative painter affiliated with Alex Ekwueme Federal University Ndufu Alike, Ebonyi State. With an NCE, BA Ed in Fine and Applied Arts from the University of Nigeria, Nsukka, and an MFA and PhD in Painting from Nnamdi Azikiwe University, Awka, he specializes in material exploration, waste reuse, recyclying, and promoting environmental sustainability through his art.
Challenges by Challenges
Orji Chinedu Arinzechukwu, known by his art name Edu Attractive Art, is a passionate artist dedicated to uncovering and representing the cultural heritage of indigenous communities. Born in Owerri, Imo State, and hailing from the Ndianyekee Arondizougo Autonomous Community in Ideato North LGA, Chinedu has a deep connection to his roots. With a Bachelor of Science (BSc) and a Master of Fine Arts (MFA) in Fine and Applied Art from Imo State University, Owerri, Chinedu has a strong academic foundation that supports his artistic endeavors. His work is characterized by an abstract approach that delves into the traditions, symbolism and narratives of indigenous cultures.
As Old as Man by Chinedu Chukwurah Frances
"As Old as Man," created by Chinedu Chukwurah Francis, is a poignant oil painting on canvas measuring 3 feet by 4 feet. The artwork depicts a young Igbo maiden seated on a stone, immersed in the serene ambiance of a traditional Igbo village. She is intently focused on cracking palm kernels using a stone, a task that has been passed down through generations The maiden's posture and concentration testify to her familiarity and skill with this traditional chore, highlighting the enduring nature of cultural practices.
Anthill by Chineze Akabougu
Chineze Akabuogu is a ceramic artist and technologist with a deep passion for exploring the versatility of clay. He studied Fine and Applied Arts at Nnamdi Azikiwe University, Awka (UNIZIK), specializing in ceramics. Currently, he serves as a technologist in the Department of Fine and Applied Arts at UNIZIK, where he contributes to research and practical training in ceramics. He is also pursuing his Master of Fine Arts (MFA) in ceramics, further refining his expertise in the field. His work embodies a fusion of traditional expressions, reflecting a commitment to innovation and craftmanship.
Ada Igbo by Evarest Onyewuchi Ibe
Born on July 22, 1994, Ogboso Richard Ibe is a creative artist who developed an interest in art at a young age. Richard’s artwork is primarily focused on drawing and painting, inspired by earthy tones. His themes reflect Africanism, expressionism, and daily life experiences. Through his art, he portrays human emotions as well as natural representations of love, truth, beauty and spirituality. Richard studied Fine and Applied Arts at the Federal College of Education (Technological) in Akoka, Lagos, completing a three-year program from 2015-2018, where he graduated as a sculptor. His is currently in his final year at the University of Nigeria, Nsukka, in Enugu State.
Mkparita Uka (“Tête-à-Tête”) by Darberechi Ani
Mkparita Uka captures a moment of connection between a lady with a bold Afro and a bird perched on a tree branch. The painting evokes a sense of honoring the past, as the Afro symbolizes the strength and identity of the Igbo woman, while the bird represents freedom and the spiritual ties to ancestral wisdom. In Igbo culture, birds are considered messengers between the physical and spiritual realms, and their quiet presence in this piece invites reflection on the importance of remembering and honoring the ties between humanity, nature, and heritage.
Eden by Obiora Anamaleze
“Eden,” a masterful painting by Obiora Anamaleze, created in 2023, is a captivating exploration of tranquility, innocence, and the harmonious relationship between humanity and nature. Set within a lush, verdant garden, the artwork transports viewers to an idylloc paradise, evoking a sense of purity and timeless serenity. At its heart, the painting features three female figures, gracefully integrated into the natural surroundings, their presence symbolizing the multifaceted stages of Eve’s journey-- innocence, introspection, and harmony. Through its evocative imagery and profound symbolism, “Eden” stands as a testament to Anamaleze’s artistic vision, offering a meditative reflection on the interconnectedness of life, nature, and the human spirit. The painting is not only a visual masterpiece, but also an invitation to explore the deeper truths of existence and our place within the natural world.
Umuada by Nnamani Charity kenechukwu
This piece is an ode to an ageing tradition, the Umuada Society, comprised of daughters of a particular Igbo community, has its roots in pre-colonial Igbo tradition, where they played significant roles in maintaining social order, resolving conflicts, and upholding cultural values. Despite colonialism and modernization, the Umuada Society remains a vital institution for Igbo women to exercise social and economic influence, promote cultural heritage, and foster community development.
Ide Ji Ulo by Ifeanyi Louis Igwegbe
“In my practice of ‘paintaglio,’ I blend the tactile with the visual, creating a dialogue between sculptural form and painted expression. Using carved wooden panels, I delve into the depth and texture of human emotion, encouraging an interaction that transcends the physical into the ephemeral. Central to my work is a dedication to humaitarianism and sentiment, where each piece serves as a narrative vessel, capturing the nuanced complexity of human experiences with empathy. My art layers paint over intricate carvings to explore and convey these stories.”
